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A Vintage-Inspired 000 with Real Acoustic Chops There's a certain body size that acoustic players keep coming back to — not too big, not too small,...

Single-Cut Soul, Sunset Strip Style Some guitars just look like they mean business before you've even plugged them in. The Vintage V100 AFD Paradis...

Three Pickups, One Classic Shape — and a Whole Lot of Tonal Ground to Cover If you've ever looked at a Les Paul and thought, "What if there were ju...

A Little Smaller, Just as Musical Not every player wants to wrestle a full-size classical — and that's where the Cordoba Protégé Estudio earns its ...

A Lot of Bass in a Sleek, Fast Package The Ibanez SR has been the go-to modern bass for players who want something lighter and faster than the old-...

A Dark Horse in See-Thru Blue Burst There's something genuinely striking about a deeply figured burl top showing through a translucent blue finish ...

A Shred Machine With a Killer Look The Schecter Omen Extreme-6 in Blood Burst is the kind of guitar that turns heads before you play a single note....

A Set-Neck Mahogany Double-Cut That Punches Well Above Its Price The Peavey HP Signature Series EXP is named after Hartley Peavey himself — and it ...

An Acoustic Guitar That Brings Its Own Room Picture this: you pick up a guitar, strum a chord, and the room fills with lush reverb — no amp, no ped...

An Amp-Free Reverb Room — Built Right Into the Guitar Picture this: you sit down at home, pick up your guitar, and the room suddenly sounds bigger....

An Acoustic Guitar That Brings Its Own Room You know that feeling when you're playing somewhere with great acoustics — a tiled hallway, a live room...

A Dreadnought That Brings the Room With It Ever wish you could practice with reverb and chorus without dragging out a pedalboard or powering up an ...

Built-In Reverb and Chorus — No Amp Required There's a moment every acoustic player knows: you're noodling at home, wishing you could dial in just ...

Small Body, Big Personality — The Dirty 30's Is Back There's something about a parlor guitar that just puts you in the mood to play. It's compact e...

A Little Guitar with a Lot of History There's something about a parlor-size guitar that just pulls you in. Maybe it's the way it fits — more like a...

The Workhorse Gets a Vintage Makeover If you've ever played a J-45, you already know why Gibson calls it the "Workhorse." First introduced in 1942,...

The Workhorse, Done Right There's a reason Gibson's J-45 has been called "The Workhorse" since the early 1950s — it's the guitar that actually gets...

A Gibson Jumbo With Something Extra Up Its Sleeve There's something almost magnetic about a 12-fret acoustic. The neck meets the body earlier, so t...

A Parlor Guitar That Punches Well Above Its Size There's something almost magical about a well-built parlor guitar. The compact body, the intimate ...

All-Solid Tone in a Shape Built for Balance There's a reason players keep coming back to the OM shape — done right, it hits that sweet spot between...

The Classic Gibson Small Body, Built for Real Playing There's a reason the L-00 has been Gibson's go-to small-body acoustic since 1932. It's not th...

The Workhorse, Made More Accessible There's a reason the Gibson J-45 has been called "The Workhorse" since its debut in 1942 — it's the kind of gui...

The Workhorse, Now With a Cutaway There's a reason the J-45 earned the nickname "The Workhorse." Since 1942, its sloped-shoulder dreadnought body, ...

The Hummingbird, All Solid, Ready to Play Few acoustic guitars carry the kind of visual weight the Hummingbird does. That unmistakable square-shoul...