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A Full Band in a Boss-Sized Box If you've ever wished you had a bassist, drummer, and rhythm section showing up to your practice session, the Boss ...

One Pedal, Endless Layers There's something almost magical about the first time you stomp down on a looper and hear your own playing come back at y...

The Overdrive That Just Gets Out of the Way You know that feeling when a pedal stops fighting you and just lets the guitar breathe? That's the OD-3...

One Pedal, Every Octave You Need If you've ever stared down the octave pedal aisle and thought, "Do I want classic OC-2 thump or modern polyphonic ...

Quiet the Noise, Keep the Tone You've dialed in the perfect high-gain tone — crushing distortion, just the right amount of bite — and then you stop...

One Pedal. A Million Units. Still Crushing It. There are pedals people talk about, and then there's the Boss MT-2 Metal Zone — a pedal people can't...

A Full Pedalboard in One Box — Without the Cable Chaos You know the drill: you spend an afternoon velcro-ing pedals to a board, running power cable...

Two Legends, One Pedal — and Six Ways to Use Them There's a scenario every pedalboard-obsessed guitarist knows too well: you love your Blues Driver...

A Full Amp Rig in a Stompbox You've probably been in that situation — fly date, ampless stage, cramped rehearsal room — where hauling your full rig...

One Board, Every Tone You Need There's a certain point where a pedalboard stops being a convenience and starts being a project — cable runs, power ...

A Whole Rig in Your Gig Bag You know that moment when you're loading in for rehearsal and you see someone hauling a pedalboard the size of a coffee...

Your Whole Rig. One Pedal. Goes Anywhere. You know that feeling when you show up to practice with a suitcase worth of pedals, and half the night is...

A Full Pedalboard in Your Gig Bag You know that moment at a gig when you wish you had just one more pedal — a touch of reverb here, a little wah th...

Seven Sliders, Endless ControlThere's a reason the Boss GE-7 has lived on pedalboards since 1981 — it's the kind of tool that quietly solves proble...

Three Legends in One Compact Enclosure Some of the most iconic guitar tones in rock history came from a handful of notoriously finicky fuzz boxes —...

Hands-Free Control, Finally Worth the Hype You know the moment: you're deep into a take, both hands busy, and the DAW transport is sitting there wa...

Two Distortion Voices, One Familiar Box If you've ever wished your distortion pedal could do double duty — a full, rounded crunch for chords and a ...

Distortion That Actually Listens to You You know that frustrating thing distortion pedals do where the low strings turn to mud and the high notes g...

The DS-1 You Know, Taken Further There's a reason the Boss DS-1 has been on pedalboards since 1978 — it does what it says, every single time. Hard-...

The Orange Box That Started It All There's a reason the Boss DS-1 has been sitting on pedalboards since 1978. It's not nostalgia — it's that the th...

A Delay Pedal That Actually Does It All You know that feeling when you're scrolling through pedal demos at midnight, convinced there has to be one ...

A Classic Delay Gets the One Feature It Was Always Missing If you've spent any time around pedalboards, you've seen a Boss DD-3. It's been a go-to ...

Two Legends in One Stomp Box Some effects are timeless enough that guitarists, keyboardists, and studio engineers have been chasing them for decade...