All

The King of the Flat-Tops, Ready for Any Stage Some guitars carry a reputation. The Gibson SJ-200 carries a legacy — nearly nine decades of players...

A '60s Classic, Ready for the Stage The original Gibson Dove debuted in Kalamazoo in 1962 and quickly became one of the first acoustic guitars to e...

A Piece of Gibson History — Made for Players Today The Gibson Dove has been turning heads since the early 1960s — that square-shoulder silhouette, ...

A Dobro Legend's Blueprint, Built for the Rest of Us Phil Leadbetter is one of the most decorated resonator players alive — a Grammy-nominated, mul...

A Little Guitar With a Lot of Personality There's something about a parlor guitar that just pulls you in. It's small enough to grab off the couch w...

Old-School Looks, Plug-In Ready There's something about a small-body guitar with a vintage vibe that just makes you want to pick it up and play. Th...

Twelve Strings, One Big Voice There's something about a 12-string jumbo that just commands a room. The doubled strings layer your playing with natu...

Two-Tone Looks, Solid Spruce Sound, and a Side Port You Didn't Know You Needed There's something genuinely fun about picking up a guitar that turns...

A Vintage-Inspired Hollowbody With Serious Character Some guitars are easy to walk past. The Hagstrom '67 Viking II is not one of them. That cherr...

A Spector NS2000 — Real Bass DNA at an Attainable Price The Spector NS2000 is one of those basses that punches well above its price tag. Built on S...

Old-World Elegance, Modern Semi-Hollow Versatility There's something about a well-made semi-hollowbody that just feels right the moment you strap i...

Eye-Catching Looks, Gig-Ready Performance There are ukuleles that blend into the background and ukuleles that make people stop and ask, "Wait, what...

All Solid. Hand Carved. Ready to Plug In. There's a moment when you pick up a mandolin and realize it's the real deal — not a pressed-wood approxim...

Hand-Carved Character in a Brownburst Package There's a reason mandolin players obsess over hand-carved tops — and the Loar LM-310F-BRB makes that ...

A Little Vintage Spirit, Ready for the Stage There's something about a teardrop-bodied A-style mandolin that just feels like it belongs in a front-...

The F-5 Shape, All-Solid Tonewoods, and a Finish That Lets the Wood Breathe If you've ever wanted a proper F-style mandolin with genuine solid tone...

Big Sound, Bigger Personality If you've ever looked at a standard ukulele and thought, "I want more," the Cordoba 24B Spruce is probably what you h...

A Concert Uke That Actually Turns Heads Spalted maple is one of those woods that stops people mid-scroll. The dark, branching figure that gives it ...

A Serious Shredder From Montreal The Godin Redline 2 is not a guitar that tries to blend in. It's a purpose-built, metal-and-hard-rock machine from...

A Classic Taylor Shape with a Different Kind of Tone The Taylor Grand Auditorium has been one of the most versatile acoustic-electric body shapes o...

A Show-Stopper from the 600 Series Taylor doesn't do limited editions often, and when they do, they tend to make them count. The 614ce-LTD was intr...

The Guitar That Put Three Pickups on the Map In 1955, Gibson took their already-remarkable ES-5 and made it genuinely practical. The result was the...

A Vintage Gretsch Waiting for Its Next Chapter Some guitars are collector pieces. Some are player pieces. And then there are guitars like this 1960...

Gibson's Biggest Stage: The 1956 Super 400 CES There are guitars, and then there are statements. The Gibson Super 400 CES has always been the latte...