Spector Euro 5 LX - Trans Black Stain Matte

Spector Euro 5 LX – Transparent Black Satin

The Spector Euro 5 LX combines iconic Spector design with modern updates that deliver the tone, comfort, and quality demanded by today’s working bassists. Finished in a sleek Transparent Black Satin, this bass looks as bold as it sounds.

This model features a neck-thru construction for maximum sustain and smooth access all the way to the 24th fret. A 3-piece maple neck with graphite rods adds strength and stability, while the rosewood fingerboard and signature Mother of Pearl Crown inlays provide classic Spector aesthetics and playability.

The body consists of a European Alder back with a slice of Walnut and a Flame Maple top, giving the bass a balanced tone with punchy mids and crisp articulation. The lightweight aluminum locking bridge with brass saddles ensures reliable intonation and solid transfer of string vibration.

Specifications:

• Top Wood: Flame Maple
• Body Wood: European Alder w/ Walnut Slice
• Neck: 3-Piece Maple, Neck-Thru w/ Graphite Rods
• Fingerboard: Rosewood
• Frets: 24
• Inlays: Mother of Pearl Crown
• Nut: Brass, 1.81" Width
• Scale Length: 35"
• String Spacing at Bridge: 17mm
• Controls: Volume, Blend, Treble Boost/Cut, Bass Boost/Cut
• Bridge: Aluminum Locking w/ Brass Saddles
• Tuners: Sealed Die-Cast
• Hardware: Black
• Finish: Transparent Black Satin
• Strings: D’Addario XL Nickel
• Case: Spector Gig Bag Included

This item is a "B-Stock Guitar" directly purchased from the manufacturer Spector. It is NEW Stock that has never been owned. Pictures are of the actual guitar you will receive.

A "B-Stock Guitar" is a guitar that won't have structural or playability issues but could possibly have some particular minor cosmetic flaw which can keep it from passing the rigorous inspection process put in place by the guitar manufacturer.

On this guitar we notice very small chip on the back. (see pictures) While we strive to document all cosmetic details accurately, please note that there may be other minor blemishes we did not notice—these would be very small in nature and not affect the instrument's performance or playability in any way.